Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 10:

In the 'fifties the pipes smoked were mostly clays. There were the long clays or "churchwardens," to be smoked in hours of ease and leisure; and the short clays—"cutties"—which could be smoked while a man was at work. Milo, a tobacconist in the Strand, and Inderwick, whose shop was near Leicester Square, were famous for their pipes, which could be bought for 6d. apiece. A burlesque poem of 1853, in praise of an old black pipe, says:

Think not of meerschaum is that bowl: away,
Ye fond enthusiasts! it is common clay,
By Milo stamped, perchance by Milo's hand,
And for a tizzy purchased in the Strand.
Famed are the clays of Inderwick, and fair
The pipes of Fiolet from Saint Omer.

I am indebted for this quotation to a correspondent of Notes and Queries, September 27, 1913.

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

Other significant early tobacconists' signs were "Sir Walter Raleigh," "The Virginian" and "The Tobacco Roll." "Sir Walter," as the reputed introducer of tobacco, was naturally chosen as a sign, and his portrait adorns several shop-bills in the Banks Collection. The American Indians, represented under the figure of "The Virginian," and the negroes were hopelessly confused by the early tobacconists, with results which were sometimes surprising from an ethnological point of view. As the first tobacco imported into this country came from Virginia, a supposed "Virginian" was naturally adopted as a tobacco-seller's sign at an early date. An "Indian" or a "Negro" or a figure which was a combination of both, was commonly represented wearing a kilt or a girdle of tobacco leaves, a feathered head-dress, and smoking a pipe. A tobacco-paper, dating from about the time of Queen Anne, bears rudely engraved the figure of a negro smoking, and holding a roll of tobacco in his hand. Above his head is a crown; behind are two ships in full sail, with the sun just appearing from the right-hand corner above. The foreground shows four little black boys planting and packing tobacco, and below them is the name of the ingenious tradesman-"John Winkley, Tobacconist, near ye Bridge, in the Burrough, Southwark." Sixty years or so ago a wooden figure, representing a negro with a gilt loin-cloth and band with feathered head, and sometimes with a tobacco roll, was still a frequent ornament of tobacconists' shops.

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